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Boxlight Broadview

 & M. David Stone Contributing Editor

Our team tests, rates, and reviews more than 1,500 products each year to help you make better buying decisions and get more from technology.

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 - Boxlight Broadview
3.0 Average

The Bottom Line

If you create your presentations on a widescreen, Boxlight's Broadview projector will let you show them in the same widescreen format.

Pros & Cons

    • Native widescreen format (WXGA resolution).
    • Highly portable.
    • Accepts digital and analog signals.
    • Takes more than a minute to cool down enough to unplug it.
    • Disappointing full-motion video.
    • No way to turn off scaling.

Boxlight Broadview Specs

Engine Type DLP
Inputs and Interfaces Dual-mode (DVI-I)
Native Resolution 1280 by 768
Rated Brightness 2600
Warranty 24
Weight 4.4

With more and more notebooks using screens with Wide XGA (WXGA) resolution, it's only natural that business projectors will begin to use the widescreen format—and not just so you can bring them home on weekends to watch movies. It makes sense that presentations you create in a widescreen format will look better if you show them in that format too. With the Boxlight Broadview ($1,999 direct), you can. That's not to say that the DLP-based Broadview is the first projector with a native widescreen resolution. But it is the first WXGA projector I've seen that's designed primarily for business presentations rather than home entertainment.

The Broadview is designed as a portable companion for a notebook: It weighs just 4.4 pounds, measures 2.7 by 10.2 by 7.6 inches (HWD), and comes with a soft carrying case. Setting it up is as easy as connecting the power cord and cables, turning everything on, and adjusting the manual zoom and focus. If you need to make further adjustments, both the remote and menu system are well designed and easy to use. Packing up when you're done can take longer than setup because it takes over a minute for the projector to cool down enough for you to unplug it.

The back of the Broadview holds a single DVI-I port that can accept analog computer input, digital computer input, or RGB component-video input. There are also ports for S-Video, composite video, and audio input and output, plus a USB connector for controlling the standard cursor (not the mouse cursor) and giving page up and page down commands from the remote to page through a presentation.

A particularly nice touch is that you also get most of the cables you're likely to need, including cables for S-Video, USB, RGB component video to DVI, minijack to RCA phono plug for audio, and VGA to DVI so you can connect to the analog output from a typical notebook.

One problem for a widescreen business projector is that widescreen resolutions aren't as standardized as, say, XGA, which is always 1,024 by 768 pixels. The Broadview claims WXGA at 1,280 by 768 pixels. But WXGA can also translate to other resolutions, which range from 1,280-by-720 to 1,366-by-768. Which version you have depends on your computer or graphics card.

Boxlight says that Broadview can accept any of these resolutions and will scale the image up or down to fit the screen. But the first rule for choosing a projector is that if you want the best possible image quality, you should match your graphics card output with the projector's native resolution, since scaling an image inevitably degrades it. So although I ran most of my tests at 1,280 by 768 pixels, I ran additional tests at 1,280-by-1,024, to see how well the projector handles scaling.

Boxlight rates the Broadview at 2,600 ANSI lumens. I measured it at 2,295 lumens, which is 88 percent of the claim (compared with a more typical 78 percent for most projectors), easily bright enough to project a good-size image in a fully lit room. The measured contrast ratio is a respectable 262:1.

Image quality was good-to-excellent with a digital connection, and reasonably good with an analog connection, with scaled images showing remarkably few scaling artifacts. With both types of connections, the Broadview handled most of our DisplayMate tests (www.displaymate.com) without a problem, except for the typical DLP issues of yellow appearing as a dull mustard color and the DLP rainbow effect, with some areas of some images breaking up into red, green, and blue. In analog mode, I witnessed severe jitter on screens designed to bring out pixel jitter, and I couldn't fix it by adjusting frequency and tracking controls. Fortunately, most images do not bring out jitter.

Full-motion video, when playing a DVD over an S-Video connection and using the Video mode setting on the projector, was disappointing. Colors were washed out and scenes that look fine with other projectors looked not very well-lit, with details in dark areas getting lost in apparent shadow. Although the video quality was decent enough that I'd consider bringing the Broadview home from the office to watch an occasional movie, I certainly wouldn't choose the Broadview for watching movies exclusively. Audio volume was also an issue: Sound was hard to hear from even three feet away, so you'll generally want to plug into an external audio system, whether you're playing a movie or giving a presentation that includes sound.

One potential problem I found, and confirmed with Boxlight, is that there is no option to turn off scaling, except in the specific case of XGA resolution, since you can switch to a 4:3 aspect ratio. This could be a minor problem in the common situation where several people are giving presentations, each from a different notebook, because scaling can produce artifacts on screen. But it doesn't change the fact that the Broadview is good at what it does. It's a good choice if you want to use a WXGA projector with your WXGA notebook for presentations.

See how the Boxlight Broadview compares to similar machines in our side-by-side projector comparison chart.

More projector reviews:

Final Thoughts

 - Boxlight Broadview

Boxlight Broadview

3.0 Average

If you create your presentations on a widescreen, Boxlight's Broadview projector will let you show them in the same widescreen format.

About Our Expert

M. David Stone

M. David Stone

Contributing Editor

My Experience

Most of my current work for PCMag is about printers and projectors, but I've covered a wide variety of other subjects—in more than 4,000 pieces, over more than 40 years—including both computer-related areas and others ranging from ape language experiments, to politics, to cosmology, to space colonies. I've written for PCMag.com from its start, and for PC Magazine before that, as a Contributor, then a Contributing Editor, then as the Lead Analyst for Printers, Scanners, and Projectors, and now, after a short hiatus, back to Contributing Editor.

I'm pretty sure I'm the only person who worked on every "Project Printer" blockbuster PCMag ever produced, often writing 15 or more reviews for the year's big printer blowout. (I snuck in a single review one year when I was writing a book, strictly so I could keep that claim alive.)

I've always worked for PCMag as a freelancer, which has freed me to take time away to write nine books, be a major contributor to four others, and write for other publications, including Wired, Computer Shopper, Projector Central, and Science Digest, where I was Computers Editor. I also wrote a computer column at one point for The Newark Star-Ledger.

Although I started my career primarily as a science (mostly physics and astronomy) and science-fiction writer (published in Analog), my non-computer-related work runs the gamut from the Project Data Book for NASA's Upper Atmosphere Research Satellite (written for GE's Astro-Space Division) to the script for a video overview of a top company in the gaming industry (that would be gambling, not video games). My books include The Underground Guide to Color Printers (Addison-Wesley), Troubleshooting Your PC (Microsoft Press), and Faster, Smarter Digital Photography (Microsoft Press).

Having covered a wide range of subjects, I've developed a serial expertise in many of them. The ones most relevant to my current work at PCMag.com are all imaging technologies.

The Technology I Use

I buy new PCs for my writing desk infrequently, because it takes a week or more to customize the settings the way I want them. At the moment, I have an HP Envy tower running Windows 10, but it's old enough to have a Windows 7 sticker on it. Its latest lease on a longer life is courtesy of a newly installed 500GB Samsung SSD 870 EVO.

Elsewhere in my house is an assortment of older and newer PCs. The older ones are dedicated to specific tasks, like the one I've been using to slowly digitize all the paper stored in my filing cabinets, while the newer ones are testbeds for printer and projector reviews.

For writing, I use Microsoft Word 2003, because I find it too annoying to take my hands off the keyboard to give mouse commands using the Ribbon. My workhorse printers are a Xerox Phaser 6280 color laser and a Dymo LabelWriter 450 Twin Turbo for labels and stamps. I also have a Canon Pixma iP8720 for printing photos, and a Canon ImageFormula DR-C225 for scanning.

My first computer was bought to replace my IBM Selectric for writing. After rejecting both the IBM PC (which had just been introduced) and the Apple II because of the keyboards, I chose a Vector Graphics Vector 3 CP/M machine with dual floppies. The first MS-DOS machine I was willing to use for writing was the IBM AT, with its much-improved keyboard compared with the original PC and its gargantuan 20MB hard drive.

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